Bürotifulcrazy (2012/2014)

maialesolo1

 ear  Steps (fragment)

book BÜROTIFULCRAZY-Libretto Italiano-pdf
book BÜROTIFULCRAZY-Libretto German/English-pdf

partiturapiccola  INTERLUDI per arpa
partiturapiccola  BÜROTIFULCRAZY-Steps
partiturapiccola  BÜROTIFULCRAZY-Telefon
partiturapiccola  BÜROTIFULCRAZY – Periodica
partiturapiccola  BÜROTIFULCRAZY – Comunicazione
partiturapiccola  BÜROTIFULCRAZY – Rappresentazioni

BÜROTIFULCRAZY
Main page

Part 1 – Bu

In a hypothetical and surreal state of nature, a group of savages listening to the sounds of nature (a dog, a leopard, a crow and a cicada-hawk) discover the first word: bureaucracy

Savages: Bu bu bu
Ro ro ro
Cra cra cra
zzzzz – zzzia
Bu-ro-cra-zia
Burocrazia!

Part 2 – Dear…

A duet between a savage and a civil servant:

Civil servant: Dear freelance professional, dear freelance professional.
Savage (singing like a shaman): Dear…
Civil servant: We are hereby providing you with the Fee Terms and Conditions of DLOAD ANSIEHT CDUR, which will form the future basis for your freelance activities on behalf of AUSLAND DOCHTE DIR.

Savages: Dear freelance professional, dear freelance professional.
Civil servant: The contents of these terms and conditions are largely derived from the collective copyright agreement valid within DACH DUODENAL RIST.
Savages: Dear…dear…
Civil servant: Provided the conditions are fulfilled in the specific case, it is possible that the terms of the collective agreement will apply for the duration of the production to employees as well as the collective agreement for persons with employee-like status. The contents of these terms and conditions are largely derived from the collective copyright agreement valid within DACH DUODENAL RIST. Provided the conditions are fulfilled in the specific case, it is possible that the terms of the collective agreement will apply for the duration of the production to employees as well as the collective agreement for persons with employee-like status. We request that you confirm the receipt of these terms and conditions by returning the enclosed declaration of understanding. Once we have received this declaration of understanding, the fee applicable to you can be calculated and, in the event that you perform regular services for AUSLAND DOCHTE DIR, we can waive the drafting of individual contracts.
Part 1 – Bu
In a hypothetical and surreal state of nature, a group of savages listening to the sounds of nature (a dog, a leopard, a crow and a cicada-hawk) discover the first word: bureaucracy
Irrespective of this, you will in every case of course receive a detailed statement of accounts concerning the services you have rendered.
Yours sincerely. DLOAD ANSIEHT CDUR.

Part 3 – Steps

Human steps are constantly interrupted by alarm signals. The walker is pushed towards a sort of blind alley where, at the end, he explodes. This cycle repeats itself perpetually, but the steps are gradually replaced by the sounds of an orchestra, until these are transformed into a nice piece of contemporary music. The civil servant’s voice repeatedly requests personal data:

Civil servant: Please
Removal
Would you?
In
Print
Fill in
Name
Surname
Street
Number
Postal Code
Country
Telephone
Telefax
Date
Signature
Kind
Regards

Part 4 – Pygwriter

A pig and a laser printer converse, each transforming itself into the other; an actress recites a bureaucratic monologue that makes no sense, which slowly turns into bureaucratic poetry.

Actress: Following the initial transmission, the employee may freely dispose of his own rights of use to the work – including in an edited or altered form. If he intends to use these rights himself or to assign them to another person, he must give NAECHST DLOAD RUDI adequately advanced written notice of this. He must offer NAUTISCH DLOAD DER these rights to the proposed use. If no agreement is established between the employee and ADAC SUDLE DORTHIN within one month following the notice provided by the former, the employee can freely dispose of these rights. Sentences 2 and 3 do not apply to the right to exploit the work in periodic printed works.

The registered partner has the right to not issue or repeat notification of its contractual service and of its written conditions, if DUSCHEND LID AORTA has concluded similar communication testifying that the agreement must not be made public before the broadcasting, or if this is clear from the productions.

A contract partner, despite this form, has no verbal confirmation of the declaration between terms and rights to his case.

One part of the contribution regards the case of compensation for the burdens of social regulations. The obligation to be paid has been provisionally stipulated by the contract partner.

The aforementioned author will perform the report for the presentation in the appropriate radio sector. The standard subjects contribute to the work in a manner similar to others who are no less interested.

After the previous print, the employee may freely dispose of his/her own initial rights of use, including as altered communication. If he himself intends to manage another work, he may offer ADDON DURALITH ESC an agreement proposed in a suitable month. He must assign them with a DIASTOLE HAND CDUR for the ascertained use. If no notice is written between the employee and DETAILS HONDA CDUR within one month from the work’s expected formality, the employee may not freely dispose of these rights. Paragraphs 2 and 3 apply to the right to manage the work in works that are p e r i o d i c a l l y b r o a d c a s t .

Based on the knowledge that is reasonably protected from the order of the law and the functions contained in the specific contract, the employee has the duty to indicate modifications and to request protection from eventual measures that, in his opinion, could give the right and/or prohibition of transfer of special parts only later.

The violation of content provides for a guide that will establish the obligation to not undertake the work before the appropriate contractual organization. A case at risk would impede the registered author from implementing representations that had originally been rightly protected in terms of the public domain.

A right may also give the work an altered format. There will be no initial warning, or the modified broadcast that is provided for is previous. The agreement freely intends to utilize time paragraphs. Use within a use must be managed if works and rights will not be applied subsequently.

A work may also utilize an altered form of time. There will be no initial
agreement, or the previous modified broadcast is periodical. Adequate notification aims to give paragraphs to one’s right. Works and press will not be freely applied.

Even if one may use this form in order to modify time, there is no agreement or infection before having been periodically changed. This notification will provide you with the suitable point on the right. It works and is released through the application, freely.

It is possible to use the method, now is the time to change. Find out
more about these changes. Small. The text is very clear. Publicised work.

The small may be utilized in addition to some changes.
Note: This work contains explicit content.

It is possible to save a ton of changes.
Note: some of the devices have been removed.

I can help you
know more.
Update.
Remember the unit.

I can help.
Lots to read.
Change the notes.
Eliminate units. Some.

I don’t
For further information.
Event.
Remember everyone.

Unknown
For further information.
Context.
There are no comments.

Part 5 – Telephone

The composer attempts to read his contract translated by Google Translator; he can’t understand a thing, and calls for confirmation; a pig answers; the composer seems to have understood, but actually tries to contact other numbers; answering machines, lines are down, lines are busy. The composer loses his patience and starts to flip out; his anger is arranged for symphony orchestra and is transformed into another nice piece of contemporary music.

Civil Servant: Name
Surname
Street
Number
Telephone
Postal Code
City
Mobile Phone
Nationality
Number
Composer:  It is the employee’s duty to disclose what is produced, with no details regarding the content of his/her work and its production or broadcasting. This obligation applies to all those who are not already familiar with the content when DAS LAHR DEDUCTION c o m m u n i c a t e d in writing certifying that the content should not be made public before the transfer or, if this. Positions of the Circus In the case of violations… positions of the circus? (he picks up the receiver):
Hello? Sorry, because… good morning, why have you written “positions of the circus” on my contract?… ah… yes… I see… all right, thank you.

Part 6 – Three Bureaucratic Lieder

1. Periodic

Actress: Time written
freely
an established agreement.
Work
form
person
or the initial notification
Offer
he may
paragraphs
not his own
He
is.

2. Communication

Composer: All right,
one must.
Or can it
written by time
paragraphs
in stampa altered print
to him
offer.
Nessun warning
from the periodi person,
one previous two,
un three freely.

3. Rappresentazioni

Attrice: Excluding claims
Against
number and numbers
requests claims
all for all,
he will reimburse
respect
satisfied
himself.
It’s worth a moment
towards meaning.

Part 7 – I Love You

The actress loves me. But she doesn’t know how to tell me; she turns to the encyclopedic dictionary of love.

Attrice: I love you. I show love for you.
I feel an intense and deep fondness for you.
I have direct knowledge of a cognitive-affective condition that lasts longer than emotions and that is less incisive than passion, for you.
I gain awareness which is obtained through the experience of facts, truth or information connected to a cognitive-affective condition that lasts longer than those mental and physiological states associated with psychophysical modifications, to internal or external, natural or learned stimuli and that are less incisive than passion, for you.
A way in which an object or an organism acts and reacts when related to other objects, organisms, or simply with the environment.
A mental structure – organized and relatively stable – for you – entrusted with contacting and relating to reality, both internal and external – for you.
A being subject to the laws of the physical world and under the control of systems that express the information they contain.
Or simply with the environment, that is…
Being convinced that it can also be a partial judgment based on insufficient arguments or on the incomplete or indirect knowledge of them.
Less penetrating expressive essentiality compared with the intense and violent sentiment that may upset mental balance and the ability to perceive and be in control.
Being convinced that it could also be a partial judgment based on insufficient arguments or on an incomplete or indirect knowledge of them.
Less penetrating expressive essentiality compared with the intense and violent sentiment that may upset mental balance and the ability to perceive and be in control.
That which represents a mental structure hyphen organized and relatively stable hyphen entrusted with one’s contact and relations with reality, both internal and external, has direct knowledge of a condition regarding knowing hyphen adjective, relative to the direct knowledge of a condition regarding knowing hyphen part of the discourse aimed at modifying another part of the discourse relative to the direct knowledge of a condition regarding knowing hyphen part of the sentence aimed at modifying another part of the sentence referring to the direct knowledge of a condition regarding experience hyphen.
In short, I love you.

Part 8 – Coda: Bu again

The composer tries to teach the pig (the animal part of the Pygwriter, basically the Pyg) to say the word bureaucracy; the pig just can’t do it; the composer resignedly makes a phone call; the other pig gives some answers (exactly what he had said before about the contract). After the phone call, the Pyg stays with the dog, leopard, crow and cicada-hawk.
Through imitating their sounds, he learns how to say the word bureaucracy.

Composer: Come on, try, it’s easy, come on: bu – reau – cra – cy. No, no. Again: bu – reau – cra – cy. You’re really an idiot, did you know that? Impossible.
Hello? He just can’t do it. I don’t know what to tell you. What? No, no.

pygtastiera